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Wizkid doesn’t reinvent the wheel with ‘Morayo’.
For the past 4 years, Wizkid has boldly walked an artistic path he paved with his 2020 R&B fusion album ‘Made In Lagos’. On his sixth LP ‘Morayo’, he keeps on this path with the album underscored by strikingly familiar elements.
Named after his late mother whom he lost in 2023, Wizkid dealt with this loss behind closed doors, but on ‘Morayo’, he lets listeners in on the album opener ‘Troubled Mind’. Fuji royalty Wasiu Ayinde‘s performance at his mother’s burial kicks off the track before Wizkid sings about myriads of emotions that accompany such heavy loss over familiar African drums.
Even for the production, he sticks to long-term collaborator P2J who has production credit on 14 songs.
Fans Afrobeats cravings are catered on the opening records where Wizkid chose to offer a taste of the old wine in new shiny silverware.
He crafts party starters ‘Kese (Dance)’, ‘Karamo’, ‘Bend’, and ‘Bad Girl’ feat Asake while maintaining the lush fusion that holds up his sound. On ‘Karamo’, his usual sweet melodies invite shy damsels to the dance floor before calling one old and young on the groovy Fuji fusing ‘Kese (Dance)’ where his flow doesn’t stray far away from the familiar.
Wizkid offers a good time only a superstar can afford on the mid-tempo bounce of ‘Bad Girl’, which frankly, flatters Asake more than it does him.
Wizkid punctuates the album’s R&B core with a party break in the form of ‘Bend’ which is reminiscent of 2010s Afrobeats. This track appears to be one of the offerings for those craving a bit of the old Wizkid. This track is one some listeners might thoroughly enjoy for its dated flows while others might find it unbearable for the same reasons.
The R&B fusion that shapes the album takes on an Afrobeats core on ‘A Million Blessings’ where he introspects and celebrates his success. He combines seamlessly with French star Tiakola on the silky ‘Apres Minuit’ as he attempts to make further inroad in a part of the world familiar with his sound.
His ragga flow on ‘Bad For You’ is conspicuously present in parts of ‘Break Me Down’ and in several songs from his last two LPs. While familiar, it’s what the song demands with Jasmine Sulivan‘s tender vocals complimenting his own to make for a song that’s strongly positioned for success in the American R&B community.
‘While ‘Soji’ has one of the strongest hooks on the album and ‘Don’t Care’ offers a free-flowing version of Wizkid, they heavily straddle the realms of ‘Made In Lagos’ and ‘More Love, Less Ego’ with variants of the songs on both albums.
He adds utility to the album with ‘Slow’ his sensual duet with Anaïs Cardot that is picturesque of the naked bodies under silky bedsheets. The album R&B core peters out with the penultimate track ‘Lose’ where Wizkid channels familist flows to restate his desire to leave life on his terms.
He opens the album on an introspective note and it’s on this note that he closes off the album with ‘Pray’ where he revisits his journey to fame, celebrates the gains, and maintains a resolve to keep shining while his mom smiles at him from above.
This is it, the lush fusion that speaks to his station in life and captures his essence. It’s not compelling neither is it his best work. However, there’s something in it for everyone. Take yours, and accept that after a decade at the top, Wizkid has earned the right to make music that suits him.
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Wizkid doesn’t reinvent the wheel with ‘Morayo’.
For the past 4 years, Wizkid has boldly walked an artistic path he paved with his 2020 R&B fusion album ‘Made In Lagos’. On his sixth LP ‘Morayo’, he keeps on this path with the album underscored by strikingly familiar elements.
Named after his late mother whom he lost in 2023, Wizkid dealt with this loss behind closed doors, but on ‘Morayo’, he lets listeners in on the album opener ‘Troubled Mind’. Fuji royalty Wasiu Ayinde‘s performance at his mother’s burial kicks off the track before Wizkid sings about myriads of emotions that accompany such heavy loss over familiar African drums.
Even for the production, he sticks to long-term collaborator P2J who has production credit on 14 songs.
Fans Afrobeats cravings are catered on the opening records where Wizkid chose to offer a taste of the old wine in new shiny silverware.
He crafts party starters ‘Kese (Dance)’, ‘Karamo’, ‘Bend’, and ‘Bad Girl’ feat Asake while maintaining the lush fusion that holds up his sound. On ‘Karamo’, his usual sweet melodies invite shy damsels to the dance floor before calling one old and young on the groovy Fuji fusing ‘Kese (Dance)’ where his flow doesn’t stray far away from the familiar.
Wizkid offers a good time only a superstar can afford on the mid-tempo bounce of ‘Bad Girl’, which frankly, flatters Asake more than it does him.
Wizkid punctuates the album’s R&B core with a party break in the form of ‘Bend’ which is reminiscent of 2010s Afrobeats. This track appears to be one of the offerings for those craving a bit of the old Wizkid. This track is one some listeners might thoroughly enjoy for its dated flows while others might find it unbearable for the same reasons.
The R&B fusion that shapes the album takes on an Afrobeats core on ‘A Million Blessings’ where he introspects and celebrates his success. He combines seamlessly with French star Tiakola on the silky ‘Apres Minuit’ as he attempts to make further inroad in a part of the world familiar with his sound.
His ragga flow on ‘Bad For You’ is conspicuously present in parts of ‘Break Me Down’ and in several songs from his last two LPs. While familiar, it’s what the song demands with Jasmine Sulivan‘s tender vocals complimenting his own to make for a song that’s strongly positioned for success in the American R&B community.
‘While ‘Soji’ has one of the strongest hooks on the album and ‘Don’t Care’ offers a free-flowing version of Wizkid, they heavily straddle the realms of ‘Made In Lagos’ and ‘More Love, Less Ego’ with variants of the songs on both albums.
He adds utility to the album with ‘Slow’ his sensual duet with Anaïs Cardot that is picturesque of the naked bodies under silky bedsheets. The album R&B core peters out with the penultimate track ‘Lose’ where Wizkid channels familist flows to restate his desire to leave life on his terms.
He opens the album on an introspective note and it’s on this note that he closes off the album with ‘Pray’ where he revisits his journey to fame, celebrates the gains, and maintains a resolve to keep shining while his mom smiles at him from above.
This is it, the lush fusion that speaks to his station in life and captures his essence. It’s not compelling neither is it his best work. However, there’s something in it for everyone. Take yours, and accept that after a decade at the top, Wizkid has earned the right to make music that suits him.
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